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This summer, listen back to the Nashville Symphony’s 2016-17 classical season, each Sunday night at 8:00 pm. Find a complete schedule of shows here.

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The tradition of writing liturgical music began centuries ago, when the main employer of European composers was the Christian church. Since then, an abundance of music has been created to commemorate the Biblical events leading up to the crucifixion and resurrection of Jesus.

Composers approach musical retellings of Christianity's most important holiday from a variety of perspectives; here are just a few pieces to listen to during Holy Week: 

serafinquartet.org/vanderbilt.edu

Playing in a string quartet isn’t easy. “You hear so many stories of how it goes wrong,” says Kate Ransom, violinist for the Serafin Quartet and one of the group’s founding members. “It’s such a delicate balance, you have to work so intimately together” she continues, citing a laundry list of moving parts that keep Serafin running smoothly.

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What do 19th century Romantic-era composer Johannes Brahms and modern alt-rockers Radiohead have in common? A lot more that you might think, according to Steve Hackman.

The young conductor, composer and all-around musician has been making a name for himself in recent years with his orchestral “mash-ups,” which seek to synthesize well known and well loved orchestral and pop masterworks.

Last week, two students of Jerome Reed at Lipscomb University played in Studio C. This time, we hear Reed himself playing music by two living American composers, one of whom is a former student who wrote the piece specifically for Reed.

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This week, we get a preview of two upcoming student recitals at Lipscomb University. Christian Johnson grew up in Dickson; Jeriel Jorguenson is from Belize but now  lives in Nashville. Both have studied with Jerome Reed since they were students in high school. Now, the pair are finishing their last year of college.

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Today marks the vernal equinox, and for the Northern Hemisphere, the first day of spring. With the turn of the season comes warmer weather (at least, in theory), the first buds on the trees and blooms on the ground, afternoon thunderstorms and choruses of chirping birds.

If you're smitten with this season, you aren't alone: tons of composers throughout history have been inspired by spring to write some unforgettable music. 

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In 1986, Edgar Meyer made his first solo appearance with the Nashville Symphony, performing Bottesini’s Double Bass Concerto No. 2. Now, 30 years later, Meyer will play the piece with the orchestra again. This time, however, the accompanying program will include the world premiere of a new piece composed by Meyer himself.

This isn't the first time the Nashville Symphony has premiered a new work by Meyer, but it does signal a new approach to writing music for the award-winning composer and instrumentalist. 

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Richard Todd is a member of two music faculties here in Nashville; his main job is teaching guitar at Tennessee State University, but he's also an adjunct at Vanderbilt's Blair School of Music. The selections he brought to his Studio C performance are just some of what he prepared to perform in a recital at Blair.

Nina Cardona / Nashville Public Radio

Guitarist and composer Jonathan Sargent has a new album of his own music on the Naxos label, called Little Cathedrals. The melodies are inspired by the music of Spain and Latin America and the great cathedrals of Europe. It's a mix of guitar solos of and pieces for chamber ensembles; for Live in Studio C, all accompaniment was provided by Jeff Taylor on accordion.

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In 1940, prominent American psychologist and educator Carl Seashore published an article in Music Educators Journal titled “Why No Great Women Composers?” It was a marked improvement over 19th century academic writings that detailed the general inferiority of the female gender.

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