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This summer, listen back to the Nashville Symphony’s 2016-17 classical season, each Sunday night at 8:00 pm. Find a complete schedule of shows here.

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You have a few more days to catch “The Dada Effect: An Anti-Aesthetic and Its Influence” at Vanderbilt’s Fine Arts Gallery before it closes on May 27th. The exhibit explores the rise of the artistic movement in the wake of WWI, when Dadaists gathered to forge an anti-establishment, anti-bourgeois and anti-war philosophy that rejected conventions of the past.

Nina Cardona / Nashville Public Radio

For their Spring Concert, the women of Vox Grata are using music to speak out against an abuse suffered by girls and women around the world: human trafficking. Under the direction of Jeanette MacCallum, they've crafted a program that both questions why slavery still exists and seeks to give hope for the future. They'll perform the show at 7:00 pm, May 18th at Nashville's Westminster Presbyterian Church.

One of the most staggering aspects of the experience of grief is the unrelenting march of time. Your life seems to come to a screeching halt, but the outside world will continue to spin, the sun will rise and your neighbors will take out their garbage on trash day. This “inexorability of the passage of time” is an experience that preoccupied John Harbison as he worked on a requiem, the centuries-old sacred music tradition associated with loss and mourning.

Nina Cardona / Nashville Public Radio

The Nashville Symphony and Chorus will soon perform and record a requiem written by American composer John Harbison around the time of the 9/11 attacks. A portion of the chorus and their director, Tucker Biddlecombe, used their visit to Studio C to give examples of how Harbison's music works in the context of the long tradition of requiems, plus some insight as to how the music is constructed.

Karyn Photography / Nashville Ballet

In the span of just a few days, the Nashville Ballet and ALIAS Chamber Ensemble are offering a pair of variations on a theme: exploring the way classical music can interact and interweave with other sounds and genres. 

Nina Cardona / Nashville Public Radio

Matt Combs plays old-time fiddle and violin with a variety of Nashville musicians and teaches at Blair, as well as composing and producing. Nate Strass, who recently moved here, composes and arranges music for films and television. The two have co-written a concert piece they describe as a "cinematic overview of the history of fiddle music." 

Danny Clinch / nonesuch.com

A mandolinist, a cellist and a double bassist walk into a barn. No, this isn’t the beginning of some terribly bad joke, but it is how Chris Thile, Edgar Meyer and Yo-Yo Ma came together to record music of J.S. Bach. Their new album Bach Trios was released earlier this month. 

Nina Cardona / Nashville Public Radio

The Music City Horn Quartet is a somewhat new ensemble of Nashville freelance French horn players (including one horn maker!), all of  whom also have ties to Clarksville's Gateway Chamber Orchestra: Jennifer Kummer, Tara Johnson, John Gough and Joey Demko. They've brought a collection of music originally written for other instruments or ensembles, arranged for four horns.

unknown passport photographer / King's College Library, Cambridge

This weekend, a group of Nashville ensembles will present the U.S. premiere of a work they think of not as a performance, but an invitation to activism.

British composer James McCarthy’s oratorio, Codebreaker, illuminates key moments from the life of Alan Turing. The groundbreaking computer scientist broke Germany’s Enigma Code during World War II and established the quintessential test of artificial intelligence. 

Guitarist Robert Thompson teaches more than thirty students in his guitar ensemble class at Belmont University. He brought about half that number to Studio C to perform a variety of music from across the guitar repertoire.

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