Kara McLeland | Nashville Public Radio

Kara McLeland

Classical Music Host

A Wyoming native, Kara relocated to Tennessee in 2005 to earn an undergraduate degree in voice performance and composition from Belmont University and a master’s degree in musicology from MTSU.

In addition to hosting on Classical 91.1, she has taught courses in music history and appreciation at Belmont and MTSU. She is also a singer-songwriter, an active member of the Nashville theatre community, and a lover of photography, books, and dogs. She and her husband Ryan live in Nashville with their daughter, Rooney, and goldendoodle, Wallace. 

 

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Photo courtesty Zeneba Bowers

Issues around immigration have been particularly prominent and polarizing over the last year. And ALIAS cofounder and former artistic director Zeneba Bowers says that the decision to stage a concert series celebrating the music of American immigrants was the direct result of the current political climate.  

Mickey Dobo / Nashville Symphony

Nashville Symphony audiences will find both familiar and new music in the 2018-19 season lineup, with a continuation of some favorite traditions from past seasons. 

Photo courtesty Nashville Opera

With a muscle-bound hero and damsel in distress, mythological storylines and an abundance of good vs. evil drama, Mario Bava’s 1961 Italian film Hercules in the Haunted World has all the trappings of a good opera. That’s why composer Patrick Morganelli, who had been a fan of the film for many years, jumped at the chance to turn the cult-fantasy flick into an operatic saga with Opera Theater Oregon in 2010. Morganelli’s Hercules vs. Vampires will get its Nashville premiere this Saturday with the Nashville Opera.

Kara McLeland / Nashville Public Radio

On a cold January afternoon, voices ring out from the choir, speaking text that echoes throughout the sanctuary of Fisk Memorial Chapel.

Photo courtesy Nashville Philharmonic Orchestra

When the Nashville Philharmonic Orchestra performs this Tuesday night, it will be for their biggest audience of the year. For the past six years, the orchestra has held annual concerts at Casa de Dios, a Hispanic church in East Nashville with over 2000 congregants.

Wikimedia Commons

Tonight begins the eight nights of Hanukkah, the Jewish holiday commemorating the rededication of the Holy Temple in Jerusalem. Many of the greatest composers in classical music history were Jewish, and many expressed their heritage through the music they composed. To celebrate each of the eight nights of Hanukkah, here are eight classical pieces on Jewish themes.

Image courtesy Robbie Lynn Hunsinger

"Gorgeous," "stunning" and “so wrong.” These are the words that artist Robbie Lynn Hunsinger uses to describe her experience of the total solar eclipse this past August. She says she watched the awe-inspiring and eerie event from one of the best spots in town: a hillside next to the Tennessee Bureau of Investigation.

Image courtesy the Nashville Symphony

Nashville Symphony’s Senior Director of Operations and Orchestra Manager, Sonja Winkler, has been chosen to participate in the 2017-2018 The League of American Orchestras’ Emerging Leaders Program. After a competitive application process, Winkler was one of only 12 applicants recognized for their potential to “make significant contributions to their orchestra and to the field as a whole,” as stated on the League of American Orchestras website.

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Thanksgiving is upon us. For many Americans, the holiday means lots of food, lots of football and lots of time with family (for better or for worse). To accompany all your Turkey Day activities, whatever they may be, we’ve put together a holiday-appropriate playlist to suit your needs:

For early rising (and last-minute grocery shopping)

Jay Ungar, Molly Mason and the Nashville Chamber Orchestra: The Harvest Home Suite Overture

Wikimedia Commons

500 years ago today, Martin Luther posted 95 theses on the door of the Wittenberg Church in Germany, airing his grievances against the Roman Catholic Church and sparking the Protestant Reformation.

Changes within the church also brought changes in religious music-making, and with Luther came the rise of the chorale. These Protestant hymns showcased some of the biggest departures from music in the Catholic church: a focus on congregational singing, texts in German rather than Latin and melodies often borrowed from secular songs. 

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